Encore edition: By Elizabeth Hulsbrink - Windows of Hope Preview

By Elizabeth Hulsbrink
Geneseo Current
Coming December 13, 2025, 7:30 PM at GHS Concert Hall

Mark your calendars—Christmas magic is about to hit the stage!
 From powerful verses to heartwarming melodies, Windows of Hope is the perfect way to kick off your holiday season.  

With the vision of Ron Hartman, and the dedication of an incredible production crew including Kisha Shoemaker, Mercedes Bealer, and Pam Reiling, every beautiful moment on stage is a team of talented people working behind the scenes, pouring countless hours into lighting, sound, staging, and coordination to bring this Christmas concert to life. Their dedication shines in every detail.  

Don’t miss this unforgettable Christmas rock concert—a stirring story of coming to Christ in the midst of life’s cold and lonely seasons.  

If you can’t travel to Geneseo High School Concert Hall on Saturday, December 13 at 7:30pm, don’t fret! This show will be broadcast on the Geneseo Chamber of Commerce YouTube page as well as Geneseo TV50 later in December.


Encore Edition: By Elizabeth Hulsbrink - A Most Enchanting Eve at Ye Olde Madrigal Dinner

By Elizabeth Hulsbrink
Geneseo Current
December 4-6, 2025 

Hear ye, hear ye! Gather ‘round for a tale of merriment, music, and mysteriously delicious figgy pudding! This year’s Geneseo High School Madrigal Dinner whisked all who entered straight into the heart of a medieval court—complete with nobles, jesters, and enough “ye olde” charm to make even Shakespeare grin.

From the moment guests stepped into the transformed “Great Hall,” the cast greeted them with the warmth of seasoned royals—even though the halls were lined with beggars in search of candy! The servers wove through the tables with the agility of knights dodging dragons, delivering a feast that could make even the surliest monarch crack a smile.

And what a feast it was! The evening began with steaming cups of Wassail (the official drink of people who say “Hear ye!” unironically). Diners then enjoyed warm bread, twice-baked potatoes, crisp green beans, savory pork loin, and of course, the legendary figgy pudding—a dessert so delightful it deserves its own fan club.

Musically, the evening soared. The ensemble’s harmonies filled the hall with richness and joy, and soloists stepped forward with confidence and heart. Whether singing a tender ballad or a rousing carol, the students proved their talent could rival any royal court musician—minus the feathered hats. All honor and praise to Perry Farley (Lord Chamberlain), Nina Schmedding (Queen), and Landry Possin (King), who ensured ye olde festivities never faltered.

The acting brought plenty of laughter, with jesters, nobles, and mischievous beggars, delivering lines with sharp timing and playful charm. The jokes landed beautifully, and the cast committed so fully to their roles that one could almost believe time travel was involved.

Behind the scenes, the costumes, lighting, and staging worked together like well-rehearsed court advisors. Vibrant gowns, gleaming tunics, and a warm, inviting glow made the hall feel truly magical. Every detail helped build an atmosphere worthy of a yuletide celebration, especially the strands of pearls!

But perhaps the greatest triumph of the night was the unmistakable sense of community. Students, Madrigal Alumni, families, and volunteers joined forces to create an evening brimming with joy, talent, and just the right amount of Renaissance ridiculousness. 

In the end, the Madrigal Dinner offered more than a meal and a show—it offered an unforgettable journey back in time, filled with laughter, music, and merry moments aplenty. Bravo to the entire cast and crew for creating a night fit for kings, queens, and all ye good folk who appreciate a well-timed medieval joke. Hip-hip!


 

“A Sherlock Carol” : Legendary Detectives & Christmas Ghosts

“A Sherlock Carol”
A holiday comedy by Mark Shanahan
By Elizabeth Hulsbrink



What do you get when you mix a legendary detective, a few Christmas ghosts, and a dash of Dickensian sparkle? A Sherlock Carol, naturally—a charmingly absurd mash-up which feels like someone shook a snow globe a little too hard and out tumbled Sherlock Holmes and Ebenezer Scrooge, brushing off the fake snow and immediately stumbling into a brand-new mystery. Packed with cheeky jokes, warm fuzzies, and enough holiday mischief to make even Moriarty (who is most certainly dead) crack a smile, this mystery-comedy invites viewers to sit back and enjoy the delightfully bonkers collision of two classic worlds.  

A Sherlock Carol is a theatrical combination of characters and elements from two beloved classics: A Christmas Carol by Charles Dickens and the detective stories of Sherlock Holmes by Arthur Conan Doyle. The story is set in Victorian-era London, on a completely bare stage except for one street lamp, wrapped in Christmas garland. It begins when an adult Tiny Tim, now Dr. Timothy Cratchit (played by Jason Schaad), comes to Sherlock Holmes (played by Tom Akers) with a request: investigate the mysterious death of Ebenezer Scrooge (played by Glenn Kluge).  

As Holmes starts poking around Scrooge’s mysterious demise, the show quickly becomes more than a classic whodunit—it turns into a festive ghost romp, complete with time-hopping spirits who drop in to mix up the mystery with plenty of holiday chills and thrills. But it’s not just about solving a mystery. The play also pulls in the heart of both classics. Here, Holmes has to deal with some ghosts of his own: past failures, doubts, and hard lessons that echo the transformation Scrooge went through years before.  

Here's how it worked- “Actor One” played by Jason Schaad, perfectly curated four distinctly different characters for Holmes to interact with: including Dr. Timothy Cratchit (as mentioned earlier), Mr. Topper, Ralph Fezziwig, and Constable Bradstreet. “Actor Two” played by Amanda Wilson, thoughtfully crafted four more characters: Emma Wiggins, Fan “Fannie” Gardner, Inspector Lestrade and Mrs. Windigate. “Actor Three” played by Samuel Carrington, masterfully assembled another four characters: Dr. Watson, Mrs. Dilber, Henry Burke, and Old Joe Brackenridge. And “Actor Four” played by Jackie Skiles, delightfully stitched together an additional six characters: Caroler, Elderly Woman, the Countess of Morcar, Martha Cratchit, Mary Morstan, and Abby Fezziwig! Whew! In order to pull it all together, each actor wore simple head-to-toe black, then added one or two additional items (think- hat, cane, scarf…) depending on the character they were portraying, changed their voice and gate, and voilà! New character!  

Directed by Joe DePauw, this holiday comedy came to life in only the way Joe DePauw can- with magic. From the playbill, DePauw said, “The playwright indicated to use a minimum of sets and props and employ suggestive costumes to tell this story, so that is what we have done. The audience will be able to use their imaginations through most of the show, including locations, props and costumes. The story is meant to celebrate the magic of Christmas, as well as the magic of theater.”  

I have to admit, my favorite “magic trick” of the night came courtesy of Lighting and Sound Designer Jennifer Kingry and Operator Dana Skiles. With what looked like a simple flip of a switch, they whisked the audience from indoors to outdoors and back again, letting us trail the characters seamlessly through every setting.  

Additional staff include Stage Manager Elizabeth Shaffer, Crew Sally Hamer, Set Builders Mike Skiles and Jim Skiles, and Costumer Suzanne Rakestraw. This production can best be described as a crown-pleasing holiday comedy fit for the whole family. Thoroughly enjoyable from start to finish!

Richmond Hill Players Holiday Comedy Continues

By Claudia Loucks
Geneseo Current

Contributed Photo 

Glenn Kluge, as the spirit of Ebenezer Scrooge, haunts Sherlock Holmes, played by Tom Akers, in “A Sherlock Carol,” a holiday comedy being presented by the Richmond Hill Players in the Barn Theatre, Geneseo.
  The show opened Thursday, Nov. 13, and will be presented Thursdays through Sundays, Nov. 13-23.  On Thursdays, Fridays and Saturdays, the doors open at 6:30 p.m. with the show beginning at 7:30 p.m.  Sunday shows are 3 p.m. matinees with doors opening at 2 p.m.  Reservations are recommended and can be made by calling the Richmond Hill box office at 309-944-2244, or by visiting the website rhplayers.com.  Late seating is not permitted; no one will be admitted to the theater after the show has started.
  Admission to all performances is $12.  An audio description performance will be tonight, Friday, Nov. 14.  Richmond Hill offers Assistive Listening Devices (ALDS), which can be requested at the time reservations are made.  Joe DePauw directs the play. 


 

Geneseo High School Fall Play Opens Friday

By Claudia Loucks
Geneseo Current

   Geneseo High School theater department students, from left, Gretchen Fuelling, Tarton Chirchir, Paisley Arnold, Ellijah Coppejans and in front Callie Copeland are among the cast members of “Charlotte’s Web,” to be staged at 7 p.m. Friday, Oct. 31; Saturday, Nov. 1, and Sunday, Nov. 2, matinee at 3:00 pm in the DePauw Theatre at Geneseo High School. Theatre.  Tickets, at $10 each, will be available at the door on the nights of the performances as there are no advance ticket sales. 

   The performance on Saturday, Nov. 1, will include Senior Night when all seniors will be honored at the conclusion of the performance. 

   The show is based on the book by E. B. White and adapted by Joseph Robinette and is produced by special arrangement with The Dramatic Publishing Company of Woodstock, IL.

   Joseph DePauw is director of the show. Photo by Claudia Loucks


 

GHS 2025 Fall Play Opens Oct. 31

By Claudia Loucks
Geneseo Current

Geneseo High School theater department students, from left, Isabella Brooks, Perry Farley and Jonathan Freadhoff are among the cast member of “Charlotte’s Web,” to be presented at 7 p.m. Friday, Oct. 31; Saturday, Nov. 1, and Sunday, Nov. 2 in the DePauw Theatre at Geneseo High School.  Photo by Claudia Loucks

  Students in the drama department at Geneseo High School will take the stage on Friday, Oct. 31, for the opening night of their fall play, “Charlotte’s Web.”

   Performances are at 7 p.m. on Friday, Oct. 31, and on Saturday, Nov. 1, and at 3 p.m. on Sunday, Nov. 2, in the DePauw Theatre at the high school.  There are 299 seats in the DePauw Theatre.  Tickets, at $10 each, will be available at the door on the nights of the performances as there are no advance ticket sales. 

   The performance on Saturday, Nov. 1, will include Senior Night when all seniors will be honored at the conclusion of the performance. 

   The show is based on the book by E. B. White and adapted by Joseph Robinette and is produced by special arrangement with The Dramatic Publishing Company of Woodstock, IL.

   Joseph DePauw is director of the show.

   Other staff members include Larry Lord, Fine Arts Manager (lights and sound); Bryan Stone, set construction; Rachel Conley-Pratt, GPAC Speech and Theatre Vice-President; Tom Ryerson, GHS Principal, and Bob Manasco, Program Layout. 

Alegna Lopez-Viola, left; Hannah McGee, Claire Yenor and Bee Scheider rehearse a scene from “Charlotte’s Web,” to be staged by students in the Geneseo High School Theatre Department. Photo by Claudia Loucks

   The cast includes Paisley Arnold, Isabella Brooks, Taeton Chirchir, Callie Copeland, Elijah Coppejans, Perry Farley, Jonathan Freadhoff, Gretchen Fuelling, Eleanor George, Anadiyah Karn, Alegna Lopez Viola, Aria Mayo-Bechtel, Hannah McGee, Faith Mierop, Bee Scheider, Dash Urquiza, Nicole Werling, Alexis Williams and Claire Yenor,

   Crew members are Kylie Achenbach, Natalie Aukee, Drucilla Balmer, Tivya Bernier, Daphne Bertelsen, Erin  Bowers, Elijah Coppejans, Evelyn Dahl, Sophia Doyle, Perry Farley, Jonathan Freadhoff, Gretchen Fuelling, Hannah Fuelling, Lilyan Garza, Evelyn Gernant, Hazel Harris, Jacob Hodges, Erik Kelly, Isabella McConville, Hannah McGee, Madison Morrison, Suzanne Neumann, Serina Nimrick, Rehan Onder, Carson Pratt, Hayley Rubitsky, Cy Sammons, Bee Scheider, Mya Splear, Isabella Stewart, Milla Stewart, Paizley Stewart, Rolan Swanson, Genevieve Talley, Sophia Urquiza, Chase VanDeWoestyne, Patrick Versluis, Nicole Werling, Avalynn Westfall, Alexis Williams and Gracie Wilson


 

110 Stories - By Elizabeth Hulsbrink

Docudrama by Sarah Tuft
Performed by members of the Geneseo community
By Elizabeth Hulsbrink

Tuesday, September 11, 2001 is a day carved into our memory. Not sketched. Brutally carved. And anyone over the age of about 10 on that day could tell you exactly where they were, what they were doing, and how the world changed when the news of the attacks hit the public.  

Fast-forward to Sunday, September 14, 2025, twenty-four years later, to a local production honoring the victims and giving homage for the survivors.

From the first crash at the Twin Towers to the final goodbye at Ground Zero, 110 Stories, written by Sarah Tuft, offers a raw and moving portrayal of 9/11—told not through news footage or political speeches, but through the real voices of those who lived it. This docudrama, built from actual interviews, weaves together first-person accounts that bring the unimaginable into deeply personal focus.

The cast of characters isn’t made up of officials or celebrities, but of everyday people whose stories are often overlooked: a mother, a photojournalist, an ironworker, a chiropractor, a dog handler, and a homeless man who became an unlikely hero. Each one brought something unique and deeply human to the stage.

One particular character who stood out to me most was the father whose son, of Pakistani descent, was missing. His quiet desperation and restrained emotion were deeply moving. He didn’t need to raise his voice—every word reflected the heavy weight of uncertainty and fear. His story stayed with me, a reminder of the personal pain and quiet strength carried by so many, including families who also faced the burden of cultural bias in the aftermath. 

Another story that resonated with me personally was the mother who couldn’t find her child. Her panic was palpable, and as a parent, I felt her fear deep in my chest. The rawness of her desperation—searching, hoping, not knowing—was heartbreaking. Her story captured the chaos of that day through a deeply personal lens that stayed with me long after the scene ended.

The ironworker’s account particularly stood out to me. It reminded me of the stories my husband often brings home from his own work—tales of courage, hard labor, some laughter (like finding a 40-year-old beer can in a steel beam!) and resilience in difficult conditions. Hearing the ironworker’s experience gave me a new appreciation for the everyday bravery of those who faced unimaginable danger that day.

The dog handler’s story touched me deeply, bringing tears to my eyes as I listened to the incredible tenacity and seemingly impossible endurance of the dog. Through the handler’s words, I could feel the bond between them—the unwavering loyalty and courage that carried them both through unimaginable challenges. It was a powerful reminder of the silent heroes in that tragedy, whose strength and determination often went unnoticed but made a profound difference.

What struck me most was how the play didn’t shy away from the chaos and confusion of that day—many accounts were unfiltered, panicked, even darkly humorous in moments. That balance of emotional weight and raw honesty made it all feel incredibly real.

Each actor spoke from different areas of the stage, creating a tennis-match viewing experience that initially left me feeling annoyed and frustrated—until I realized it was intentional. Kudos to director Jackie Patterson of Geneseo for her creative vision in staging the actors across different areas of the stage, because what first felt disorienting soon revealed itself to be an intentional, powerful choice—mirroring the confusion and chaos of that day. It was a bold move that deepened the emotional impact and pulled me further into the experience.

Perhaps the most powerful aspect of 110 Stories is its refusal to lean into politics. Instead, it honors the human experience—highlighting the compassion, fear, courage, and resilience that united New Yorkers in the face of unthinkable tragedy.

When the program ended, I felt a quiet reserve settle over me—as if speaking aloud would somehow disturb the weight of what we had just witnessed. It felt appropriate to leave in silence, out of respect for the real people whose stories had been shared. That silence became a final act of reverence for the survivors and the lost alike.

In the end, 110 Stories doesn’t just memorialize a tragic day—it breathes life into it, reminding us not just of what was lost, but of the strength that rose from the ashes

Richmond Hill Players to Present Thriller in October

By Claudia Loucks
Geneseo Current

Geneseo’s Richmond Hill Players continue the 2025 season with a thriller, “The Woman in Black,” adapted by Stephen Mallatratt form the novel by Susan Hill.

   The show will be presented Thursdays through Sundays, Oct. 2-12, in the Barn Theatre at Richmond Hill Park, Geneseo. 

   Dana Skiles, Geneseo, directs the play.

ABOUT THE PLAY

Patrick Kelley, Kewanee, attempts to revive James Driscoll, Bettendorf, who has been frightened nearly to death by The Woman, played by Tifany Simosky, Geneseo, in the thriller, “The Woman in Black,” opening on Thursday, Oct. 2, at Richmond Hill Barn Theatre.  Contributed Photo

   “The framework of this spine-tingler is unusual:  a lawyer hires an actor to tutor him in recounting to family and friends a story that has long troubled him, concerning events that transpired when he attended the funeral of an elderly recluse.  There, he caught sight of the woman in black, the mere mention of whom terrifies the locals, for she is a specter who haunts the neighborhood where her illegitimate child was accidentally killed.  Anyone who sees her dies!

   The lawyer has invited some friends to watch as he and the actor recreate the events of that dark and stormy night in this classic tale of the Gothic mystery genre.

   The show is not recommended for children under 12, with a warning for discussion of child loss.

   The cast features Patrick Kelley, Kewanee; James Driscoll, Bettendorf; Tifany Simosky, Geneseo; Aimee Albrecht, Alexis; Cali VanZandt, Atkinson; David Shaffer, Moline, and Mike Kelly, Rock Island.

   The staff includes stage manager/special effects coordinator David Shaffer; stage crew Aimee Albrecht, Cali VanZandt, and Sarah Carrington, Galesburg; light and sound designer/operator Dana Skiles, and set builder Jim Skiles, Colona.

   On Thursdays, Fridays and Saturdays, the doors open at 6:30 p.m. with the show beginning at 7:30 p.m.  Sunday shows are 3 p.m. matinees with the doors opening at 2 p.m. 

   Reservations are recommended and can be made by calling the Richmond Hill box office at 309-944-2244 or by visiting the website rhplayers.com.

   Late seating is not permitted; no one will be admitted to the theater after the show has started. 

   Admission to all performances is $12.

   An audio description performance will be Friday, Oct. 3.  Richmond Hill also offers Assistive Listening devices (ALDS), which can be requested at the time reservations are made.

   ABOUT:  RICHMOND HILL PLAYERS - a non-profit community theater group presenting plays in the converted top floor of an old dairy barn in Geneseo since 1968.  Approximately 100 active members are involved on and off-stage each year, with actors, directors, backstage personnel, support staffs, and audience drawn from a 75-100 -mile radius that includes cities in both Illinois and Iowa.

Storybook Children’s Theatre Participants to Present Musical Friday and Saturday

By Claudia Loucks
Geneseo Current

The young actors and actresses involved in the Storybook Children’s Theatre Camp, sponsored by the Geneseo Park District, will stage the musical “Alice in Wonderland,” at performances scheduled for 7 p.m. on Friday, July 25, and again at 10:30 a.m. on Saturday, July 26. Both performances will be held in the DePauw Theatre at Geneseo High School, 700 North State St. Tickets for the performances, at $5 for adults and $3 for youth 18 and younger, are available at the front desk of the Geneseo Community Center, 541 East North St., Geneseo.

Young performers have been rehearsing throughout the week at the GHS theatre. They are guided by two professional actor /directors and have had the experience of going through auditions prior to being cast (everyone gets a part), and have been working together to bring the production to life this weekend. All performers will be in costume for the productions.

The Theater Camp is sponsored in part by the Geneseo Park District Foundation, the Geneseo Foundation, Richmond Hill Players and Hazelwood Homes.


Steel Magnolias, a Heartwarming Enjoyable Show - By Elizabeth Hulsbrink

Steel Magnolias
Richmond Hill Players
May 29-June 1 & June 5-8, 2025
By Elizabeth Hulsbrink

Upon walking into Truvy Jones’ beauty salon in Chinquapin, Louisiana, (circa late 1980s), I couldn’t help but notice the pictures on the wall- big hair, lots of perms, classic 1980s fashion, PINK- but the subtle, yet profound, homage to the original 1989 movie cast head shots was the real winner!

Richmond Hill Players’ production of Robert Harling’s Steel Magnolias directed by Megan McConville, was a heartwarming, enjoyable story which the cast and crew delivered as a performance full of charm, humor, and heartfelt moments. Originally written as a short story to help heal personal experience with death due to diabetic complications, moved to an Off-Broadway play, then to the big screen. At the heart of the story is Shelby Eatenton-Latcherie, played with grace and spirit by Leslie Day, whose vibrant life and resilience bring both joy and poignancy to the small-town Louisiana beauty salon where the women of Steel Magnolias gather to share laughter, support, and sorrow.

McConville’s thoughtful direction allowed each actress to shine while creating an authentic sense of friendship and community. Jessica Moore brought warmth and wit to the role of Truvy Jones, the salon’s lively and compassionate owner. Real hair dresser Megan Abell’s portrayal of Annelle Dupuy-Desoto added both innocence and transformation as the newcomer to the group. Pam Kobre was a delight as the stylish and sassy Clairee Belcher, while Suzanne Rakestraw gave a deeply moving performance as Shelby’s strong and loving mother, M’Lynn Eatenton. Rounding out the ensemble, Heidi Hamer stole scenes with her sharp-tongued and unapologetically bold Ouiser Boudreaux. Together, this talented cast captured the enduring bond between women and the mix of laughter and loss that makes this show memorable.

Set entirely within Truvy’s beauty salon, Steel Magnolias follows the lives of six Southern women as they navigate life’s joys and heartbreaks together over the course of just two and a half years. Centered around Shelby’s decision to have a child despite serious health risks, the story unfolds with moments of humor, tenderness, and deep emotional strength. As seasons change, so do the women, revealing the resilience and love that hold them together.

Admittedly, though this particular story does not fully resonate with me, it’s clear that the cast and crew approached the production with dedication and care, and the audience thoroughly enjoyed the show! Their commitment to honoring this beloved play was evident in the thoughtful performances and collaborative spirit on stage. I’d like to give a special salute to Megan McConville, who in her directorial debut, did a fabulous job with this challenging piece. Though she herself has not yet acted on the Richmond Hill stage, her work behind the scenes with many productions proved she has a good eye for details. Well done!


 

The Wizard of Oz - By Elizabeth Hulsbrink

By Elizabeth Hulsbrink
Geneseo Current
April 23, 2025
Geneseo High School Performing Arts


The energy in the DePauw Theater was electric as students from Geneseo High School took to the stage for their much-anticipated production of The Wizard of Oz (RSC Version). With months of hard work culminating in a weekend of performances, the cast, orchestra, crew, and directors brought to life a beloved story through impressive vocals, vibrant choreography, and heartfelt acting. From the moment the curtain parted, it was clear that this was more than just a school musical—it was a testament to the power of collaboration, creativity, and youthful passion for the performing arts.  

The proverbial yellow brick road came to vibrant life on the stage this past weekend, as students delivered this ambitious and heartwarming performance. Based on the beloved 1939 film and adapted by the Royal Shakespeare Company, this version preserves the charm, music, and magic of the original while offering expanded scenes and dialogue tailored for the stage. From the iconic opening notes of "Over the Rainbow" to the triumphant return to Kansas, the production showcased not only the talent of its young cast and crew, but also their dedication to bringing a classic story to life with theatrical flair and emotional depth.

Leading the cast with poise and sincerity was senior Shay Schehl as Dorothy Gale. With a clear, expressive voice and a natural stage presence, she captured Dorothy’s wide-eyed wonder and quiet strength, especially in a heartfelt rendition of “Over the Rainbow.” Junior Perry Farley brought warmth and humor to the role of the Scarecrow, delighting the audience with nimble physical comedy and a genuine charm during “If I Only Had a Brain.” As the Tin Man, senior Logan VanDeWoestyne offered a touching performance, infusing “If I Only Had a Heart” with just the right blend of melancholy and hope. Meanwhile, in his acting debut, junior Landry Possin’s Cowardly Lion was a crowd favorite, earning plenty of laughs and applause with his animated expressions and comedic timing, and, of course, the perfect lion’s growls!

The supporting cast also shone, with senior Clara Huddleston bringing both sparkle and sass to Glinda the Good Witch, while senior Beth Mroz’s Wicked Witch of the West was deliciously menacing, delivering her lines with flair and just the right dose of theatrical villainy. Ensemble members from local elementary schools and seniors Jonathan Freadhoff, as the Emerald City Guard, and Jackson Brumbaugh, as The Wizard of Oz, added richness to every scene, particularly in Munchkinland and the Emerald City, where vibrant costumes and tight choreography added delight and awe.

Visually, the production was a feast for the eyes. The set design cleverly balanced practicality with imagination, transporting the audience from the gray tones of Kansas to the dazzling technicolor world of Oz. The transition—from Dorothy’s farmhouse spinning into the tornado to her arrival in Munchkinland—was especially well-executed, using lighting, the cyclorama, and sound effects to great dramatic effect. A special shoutout to the “flying” people in the tornado! Fabulous touch!!

Costumes played a key role in bringing the fantasy to life. From the glittering pinks of Glinda’s gown to the iconic blue gingham dress worn by Dorothy, each outfit was thoughtfully crafted and true to the film’s spirit. The Wicked Witch’s green makeup and flowing black cloak added just the right level of theatrical menace, while the Scarecrow, Tin Man, and Lion all had wonderfully detailed costumes that allowed for both mobility and personality.

Director Joe DePauw deserves special credit for guiding such a large cast with clarity and vision. The pacing never lagged, and every scene felt purposeful and engaging. The choreography, particularly in ensemble numbers like “Ding Dong! The Witch Is Dead” and “Merry Old Land of Oz,” was tight, joyful, and well-rehearsed, showcasing both the students’ energy and the director’s attention to detail.

Geneseo High School’s production of The Wizard of Oz (RSC version) was a charming and skillful tribute to a timeless classic. From strong vocal and orchestral performances to creative staging, the entire cast and crew delivered a show full of heart and imagination. A special shoutout goes to Toto, played by the scene-stealing Bo (owner Amy Roberts, Geneseo), whose calm and adorable presence added extra magic to the performance. It was a production that truly reminded the audience that there’s no place like home.

The Living Stations of the Cross - By Elizabeth Hulsbrink

By Elizabeth Hulsbrink
Geneseo Current
St. Malachy Church
April 13, 2025

In the stillness of a darkened church, not a sound stirred. Then out of that darkness, a single beam of light broke through the silence—signaling the beginning of a journey that would draw every soul present into the final hours of Christ’s life. The Living Stations of the Cross, presented by the members of the St. Malachy Youth Ministry, was not just a performance—it was a profound spiritual experience.  

The [Living] Stations of the Cross are a traditional Catholic devotion that honors the final hours of Jesus Christ’s life, focusing on His path to his crucifixion. Comprised of 14 stations, each one marks a distinct moment of His suffering and death. These stations are often depicted by crosses, artwork, or carvings within churches. However, this particular performance utilized the art of human stop-motion, where actors got into position for each station and maintained complete stillness while readers told the story through scripture, poetry and narration. The movement from one station to the next unfolded in total darkness, heightening the sense of solemnity and deepening the reverent silence.  

Telling the story were Geneseo Middle School students Jocelyn Aguirre, Leila Bries, Ellie Jackson and James Winkleman.  Aguirre, Bries and Jackson also sang El Shaddai and Via Dolorosa during the final stations.  

The program began with Simon of Cyrene- portrayed by Colin Roemer, a freshman at Geneseo High School and devoted member of the St. Malachy Youth Ministry- as he walked solemnly down the aisle, singing “Watch the Lamb”. While he moved down the “road” he was holding the hands of his two young sons, played by Charlie (age 9) and Henry (age 11) Walck, both of Geneseo. Short scenes with Jesus Christ (portrayed by Jonathan Freadhoff, a senior at Geneseo High School), Guard (portrayed by Joey Thoene, a junior at Geneseo High School) Pontius Pilot (portrayed by Liam Osborn, a freshman of Geneseo), and John (portrayed by Vinnie Angelo, young friend of St. Malachy) as well as a crowd of bystanders, helped set the tone that this performance would be both moving and haunting, due to its nature.  

Senior Sophie Oltman's depiction of Mary, mother of Jesus, redirected our attention from the physical torment of Jesus’s struggle to the emotional depth of a mother’s pain. Her a cappella solo, “Still My Little Boy”, held the audience spellbound, with many moved to tears! Veronica (portrayed by sophomore Maddie Oltman), Mary Magdalene (portrayed by Geneseo Middle School 8th grader Reese Schaaf), and weeping woman (Leah Roemer, GHS graduate) all kept close to Mary and Jesus through each station.  

This powerful reenactment of Jesus’s final hours of His earthly life was directed by Victor Angelo, Lance Carroll and Elizabeth Hulsbrink. Stage crew included Claudia Angelo, Isabella Angelo, and Dianna Kunkle. Sound assistance was provided by Butch Bos.


 

The Tell-Tale Farce: A Comedy

By Elizabeth Hulsbrink
Geneseo Current
April 3-13, 2025

Picture this… Anywhere, USA, © 1840. A wealthy widow, her niece and granddaughter, her butler and maid, and a ragtag group of male suiters… what do you get? Nonstop laughter!

Richmond Hill Players opens their spring 2025 season with Don Zolidis’ The Tell-Tale Farce: A Comedy, which promises to be a rip-roaring time! New to the Round are Jacob Lund (Henry Whitford), Cali VanZandt (Mary), Shyna DeVoss (Abigail Dowling) and Lena DeLellis (Light & Sound Operator). And making come-back appearances are Derek Bolme (Poe- the real one), Elizabeth Hulsbrink (Helena Dowling), Eric Landuyt (Edgar/ Richard Muffinbridge), Eric Friedman (Rufus Griswold), David Shaffer (Brinsley), and Dana Skiles (Sarah Dowling, Light & Sound Designer), as well as additional crew members Suzanne Rakestraw (Costumes), Jim Skiles and Mike Skiles (Set Builders).  

Making her directing debut, Elizabeth Shaffer, with stage manager, Pat Kelley, found the perfect group of new and seasoned actors to bring you this fabulous farce filled with twists and turns, secret love affairs, deafness, and far too much opium.

Here is the scoop: Comedic gem, The Tell-Tale Farce, is a brilliantly absurd take on Edgar Allan Poe’s iconic tale. This play masterfully blends fast-paced humor, witty dialogue, and over-the-top characters, making it a delightful experience for both performers and audiences.

Zolidis takes the eerie suspense of The Tell-Tale Heart and flips it on its head, infusing it with chaotic misunderstandings and slapstick moments that keep the laughter rolling. The exaggerated characters, from the increasingly frantic narrator to the clueless guests, provide endless comedic opportunities that make this script a perfect choice for high school and community theater productions.

Beyond the humor, The Tell-Tale Farce is a well-structured play that allows for dynamic staging and physical comedy, which challenges the cast while keeping the energy high. The clever wordplay and rapid-fire pacing ensure that audiences remain engaged from start to finish.

If you’re looking for a play that delivers non-stop laughs while paying homage to a literary classic, The Tell-Tale Farce is a must-see! On a side note, I feel like this is one of the best comedic shows to come out of Richmond Hill Players… but with all due respect, I’m a little biased!

Photos from Thespian Fun Night!

The event was held last Sunday, January 19th. There was trivia and live music. Photos by Kara Sanken.

Trivia second place table with (Left to right): Nathan Van Cleve, Jenny Parsons, Sandy and Doug Schehl

Trivia first place table with (left to right): Kelly Evert, Cheryl Schehl, Chris Schehl, and Bill Schehl

Thespian officers (left to right): Sophia Clifton, Beth Mroz, Shay Schehl, Kara Sanken, and Logan VanDeWoestyne.

A GMS Holiday Concert

By Elizabeth Hulsbrink
Geneseo Current


Hark how the bells- Sweet silver bells- All seem to say- Throw cares away- Christmas is here- Bringing good cheer- To young and old- Meek and the bold” (Carol of the Bells, by Mykola Leontovych ©) .

There is nothing like Christmas music to get people in the spirit of the holidays; and there is nothing better than a GREAT band and choir concert to make spirits bright. This past Sunday, the Geneseo Middle School Music Department, under the direction of Ms. Amy Croft, Mrs. Sara Hawkins, and Mrs. Jamie Kotovsky, with accompanist Mrs. Kim Schwarzkopf, presented a remarkable concert.

Photos by Elizabeth Hulsbrink

With a completely full concert hall, the show began with the Jazz Band, comprised of 7th and 8th grade students. Mrs. Hawkins led the group with jazzy renditions of classics “Sleighin’ It” (Arr. Steve Parsons), “Have Yourself a Merry Little Christmas” (Arr. Victor Lopez), “You’re a Mean One, Mr. Grinch” (Arr. Mike Story) and “We Wish You a Merry Christmas” (Arr. Paul Clark). Soloists featured: Cullen Boone on alto saxophone, Novak Ryerson on Trumpet, Elijah Melton and Ian McCord on tenor saxophones. The jazz band was full of energy, with toe-tapping rhythms and lively solos that had the audience clapping and swaying.

The 7th grade band played their set next, also under the direction of Mrs. Hawkins. They started with a lovely piece, “Snowscape” (Arr. Randall D. Standridge), and finished with their powerhouse piece, “All I Want for Christmas Is You” (Arr. Michael Brown). But their rendition of Michael Sweeney’s “The Christmas Song” (AKA Chestnuts Roasting on an Open Fire), was so beautiful, capturing the heart and spirit of the season.

After a brief turnaround, the 7th grade choir with Ms. Croft took to the stage for their chance to bring Christmas cheer. Opening with “Festival of Lights” (Arr. David Eddleman) then “Infant Holy, Infant Lowly” (Arr. Julie Knowles), the music shifted seamlessly from the upbeat energy of the band to a gentle, soothing tone, creating a beautiful contrast that captivated the audience. However, the 7th grade choir truly showed such amazing development with their vocal skills while performing “Fum, Fum, Fum” (Arr. Alice Parker & Robert Shaw) and “Believe” (Arr. Teena Chinn). Vocal soloists included Gia Haars, Peyton Wexell, Trace Hager, and Olivia Krause. Well done!

Next up was the 8th grade Symphonic band, led by Mrs. Kotovsky. Hearing the growth of just one more year of playing is always exciting. And the 8th graders did a great job. They started their set with a rather challenging medley, “Symphonic Highlights from Frozen” (Arr. Stephen Bulla), but proved they were up to that challenge. “Snow in a Silent Wood” (Arr. Jonathan McBride) showcased the depth of their growth though dynamics and pure warmth in their sound. For a special treat, a guest conductor was selected from a drawing, and the lucky winner was Scott McAvoy, who led the band in the always fun “Sleigh Ride” (Arr. Leroy Anderson). A special feature was in the 8’ Slapstick! WOW!

The 8th grade Swing Choir took to the stage with sunglasses, jingle bells, and some swinging jazzy rock! “Dig That Crazy Santa Clause” (Arr. Mac Huff) got the audience snapping, while “I Saw Three Ships” (Arr. Russell Robinson) had everyone humming along. Their show-stopper, though, was “Rockin’ Around the Christmas Tree” (Arr. Mac Huff). Singing, dancing, moving and grooving- clearly the kids were having fun with this particular piece.

After a quick transition, the 8th grade Symphonic Choir took the stage, with soloists Ethan Temperley and Grace Toney adding a beautiful touch to the performance of 'Follow His Star' (Arr. Merrill Miller). The next piece, “On This Winter Night” (Arr. Greg Gilpin) had everyone leaning in, captivated by the beautiful lyrics that brought a fresh depth to the familiar tune. For a change of pace, “Holly Jolly Christmas” (Arr. Harry Simeone) brought a playful listening experience. The real wow factor arrived when the kids performed 'Carol of the Bells' (Arr. M. Leontovich, Peter J. Wihlousky), flawlessly hitting every note with perfect timing. Kudos for taking this on A Capella!

The evening finished with the combined bands, choirs, and audience performing “Holiday Sing-a-Long” (Arr. John Moss) for the grand finale. What a wonderful way to brighten the holiday spirit.

Ye Olde Forty-Fourth Madrigal Dinner Concert

By Elizabeth Hulsbrink
Geneseo Current

Lords and Ladies, Dukes and Duchesses, Princes and Princesses, lend me your ear! The King (senior Dylan Gehl) and Queen (senior Elizabeth Mroz) of Merrie Olde England wish to share an evening of feasting, celebration, and of course, music during these high holiday times. Don thine finest raiment, make ready to partake of copious fare, and join us in merry song and mirth.

This year marks the 44th annual Madrigal Dinner at Geneseo High School, and this year’s particular group of musicians proved to be beyond fabulous talent! From the moment we drove up to the high school, we were transported to 16th-Century England with “fire” caldrons, beggars, a brass quintet and a full recorder ensemble. We were lead through the halls to the DePauw Theater where we were greeted with instrumental music as well as folly provided by the court Jesters. Then, with the sound of horns, we were lead to our banquet tables.

Photo by Elizabeth Hulsbrink

The entire library lobby was decorated floor to ceiling with traditional-looking paintings, shields, wreaths, candles, and a huge “stone” fireplace. The audience was lit solely by the soft glow of candles on their tables, while the head table, reserved for the king’s court, was bathed in spotlights, making them clearly visible to everyone. With true-to-style dinner theater, the audience was encouraged to join in the singing and laughter, as well as help the Lord Chamberlain (senior Logan VanDeWoestyne), move the story along.

During the dinner, court Jesters Jule (Hope Kuster, senior), Patison (Nina Schmedding, junior), Will (Mickayla Bowles, freshman), and Tom (Elijah Coppejans, freshman) told jokes, sang songs, moved through the audience, and even danced during the court’s singing. Mimes Emilia Schmitt and JJ Money, both seniors, engaged the audience in their unique and captivating style. And beggars, Jameson Coppejans, Evelyn Dahl, Ruby Efflandt, Lizzie Lane and Vera Vincent all worked the audience in efforts of gaining sympathy and receiving tokens of candy (or mashed potatoes- as was the case at our table!).

The songs performed were exceptionally challenging, yet the students delivered them with remarkable ease and confidence, showcasing their impressive talent and dedication. Nearly all pieces were acapella, and included at times six, eight, or even ten-part harmony! There was a very special song towards the end of the program which included the trio of Joe Versluis (Bass Recorder), Kara Sancken (Soprano Recorder), and Paxton Sherbeyn (Acoustic Guitar), all seniors, joining with the full choir to perform “To Keep the Cold Wind Away” by Paul Brandvik. There wasn’t a dry eye in the house! Simply amazing!

Photo by Elizabeth Hulsbrink

The sheer number of students involved in this production is astonishing! Vocalist in the King’s court included: seniors Tyler Holtzen, Shay Schehl, Cody Hensley, Clara Huddleson, Elanor DeBlieck, Avery Catour, and Carter Eastburn. Juniors: Landry Possin, Perry Farley, Jackie Milem, Theodore Phillips, Isabella Brooks, Ava Brewer, and Cy Sammons. Sophomores: Andre Diediker, Aria Mayo-Bechtel, and Ayame Stroh. Freshmen: Colin Roemer, and Chase VanDeWoestyne. Members of the brass quintet included: Juniors Jonathan Freadhoff and Tucker Tarkington. Sophomore Jacob Berry. Freshmen: Harrison Conley and Aiden Hawkins. Members of the recorder ensemble included: Seniors Sophia Clifton, Kara Sancken, and Joseph Versluis. Juniors: Liam Coleman, Sam Curcuru, Matthew Darnall, Anna Davis, Bee Scheider, and Kjerstin Wildermuth. Freshmen: Alivia Brown and Addie McSparin. And to complete the show, there were an additional four pages, one “cook”, and 24 servers (all students).

*It is important to note that this program is completely student-led! Though there were rehearsal directors, stage managers, sound and light managers, chairpersons, costuming, set construction, table settings, an abundance of food donations, decorations, waitstaff, tickets and programs, videography, and a parent-led cast party, the Geneseo High School Madrigal stands apart as a truly unique performance. A special recognition of appreciation goes to the incredibly talented musicians, whose skill and dedication brought an exceptional level of artistry to the performance. Their hard work and passion truly shone through, making the show unforgettable.

“My Son Is Crazy, But Promising" an Absolute Must See!

Directed by Dana Skiles - Richmond Hill Players
Nov. 14-17 & 21-24, 2024
By Elizabeth Hulsbrink

Picture this: Arizona in August, no pool, no air conditioning, and the ice machine is broken! This isn’t your average Ritz Hotel; this is the Ritz-Apache Lodge in Tumbleweed!

Hollywood screenwriter, Bud Granger (played by Derek Bolme, in his acting debut) trades the glitz of Tinseltown for the rugged charm of Tumbleweed, Arizona, where he buys a rundown lodge near the legendary "Lost Dutchman Mine." Bud hopes to strike it rich and retreat into a quiet millionaire's life, but his plans go completely off track when he discovers the lodge is over-crowded with eccentric characters. The funky space lady, Cora Ames (Jane Simonson) kept the audience roaring, while the melodramatic mobster, Oysters Rockefeller (John Simosky) and his starlet-in-the-making fiancée Chi-Chi Vazoom (Tifany Simosky- John’s sister-in-law), proved to be filled with unexpected warmth and charm.

Tilly Granger (Carol Neuleib) Bud’s out-of-work-actress mother shows up unannounced, and tries her best not to get sucked in to the pandemonium of the hillbilly town. Honeymooners June and Arthur Whitney (Elizabeth and David Shaffer) are indubitably and the wrong Ritz. And locals Sheriff Bates (Jonathan Graff) and Gert Witherspoon (Beth Nyland) are fed up with the ensuing chaos that always seems to find its way to the Lodge. The on-stage relationship between the terrible spy Dimitri Jones (Jim Skiles) and his FBI handler Susan Claypool (Stacy Herrick) confirmed that not everything you see can be believed. And while Fay Armstrong (Katie Orwig) is chancing her story, Karen Russell (Terri Nelson) puts a major development into a completed unhinged twist. A special shoutout goes to Elliana Moore- the illusive UFO.

However, the true standout that brings all this chaos into focus is the fascinating dynamic between Bud and his Hollywood director, Larry Lime (Samuel Carrington). Despite being complete opposites, these two form an unstoppable duo!

From a flying saucer, buried treasure, and a roller-skating corpse, to Brussel sprouts on a stick, Richmond Hill Players has done it again! Congratulations to director Dana Skiles, for bringing this to life. The hilarious comedy, “My Son Is Crazy, But Promising” is an absolute must see!

Richmond Hill Players “Of Mice and Men” Was Faubulous!

By Elizabeth Hulsbrink
Geneseo Current

If you have ever read John Steinbeck’s 1937 classic, “Of Mice and Men” you might remember the story- George and Lennie find themselves working on a ranch, where they encounter various characters, including Candy, Slim, Curley (the boss's aggressive son), and Crooks, the isolated black stable hand. The story explores themes of friendship, dreams, loneliness, and the harsh realities of life during the Great Depression. But what you might not remember is how those characters interacted, how they fed into each other, how each one couldn’t exist without the other. THAT is exactly what director Justin Raver brought to life on the stage of Richmond Hill Players! 

When you enter the only theater in the round within 150 miles, you will find yourself drawn back to the 1930s in the agricultural valley of Northern California, along the Salinas River in the small town of Soledad. Birds and insects singing, the gentle wind whispering through the brush, bluegrass music quietly playing in the distance, and two travelers (migrant field workers), George and Lennie, find themselves stopping for the night. The two share a deep bond and dream of one day owning their own piece of heaven where they can “live off the fat of the land.”

Nothing is simple about this story. And time and time again we have seen theater troupes try to tackle this particular play, but oftentimes they fall flat. However, the vision of Justin Raver, with the help of Megan McConville and Jennifer Kingry, not only brought the story to life, they told it in such a way that we as the audience were completely drawn in! The stage connection between actors Kevin Maynard (George) and Matthew McConville (Lennie) proved to display incredible chemistry, complementing each other's performances seamlessly. Then add the dynamic energy of Patrick Kelley (Candy), elevating the entire production. Their interplay was so natural and  engaging adding richness and depth to the play, making it a truly captivating experience. 

A few new faces to Richmond Hill Players (Lily Blouin, Zack Sullivan, and Anthony Mitchell) as well as some seasoned veterans (Mike Skiles, Kevin Keck, Glenn Kluge, and Julian Totton), filled in the rest of the story. Their contributions added layers to the performance, enriching the production and creating a balanced ensemble. Of course, the special guest appearance by “Kane”, a 9-year-old German Shepherd dog owned by Matt Escoto, was the final element needed to make “Of Mice and Men” truly powerful. 

Do not hesitate to see this show- buy your tickets before it sells out. “Tell me about the rabbits, George.”

Give My Regards to Broadway - The 2024 Harvest Fest Finale

By Elizabeth Hulsbrink
Geneseo Current

Dim the lights…Cue the music… and Curtain! This year’s Geneseo Performing Arts Council presented Harvest Fest 2024, “Give My Regards to Broadway”. Featuring choral students from Millikin, Northside, and Southwest Elementary Schools, Geneseo Middle School and Geneseo High School, this year’s program highlighted Broadway favorites from “The Wizard of Oz” (1942) to “Hamilton” (2015).

Photo by Elizabeth Hulsbrink

The 4:30 concert, due to weather, was held at the Geneseo High School Performing Arts Center. The show opener, “There’s No Business Like Show Business” (Annie Get Your Gun, 1994) featured vocal students from 4th grade through 12th grade! This massive combined choir filled the concert hall and rang through the school halls. Such a beautiful sound.

Song selections included pieces from The Music Man, West Side Story, South Pacific, The Sound of Music, Annie, A Chorus Line, Grease, Into the Woods, Les Misérables, Fiddler on the Roof, Aladdin, Matilda, Rent and George M! Each group of kids got at least two feature songs, and since some singers were on the stage and others were in the balcony, the sound was always moving throughout the auditorium. Larry Lord, manager of the Performing Arts Center, did a fantastic job keeping the lights and microphones moving with each group, making sure everyone was seen and heard.

Photo by Elizabeth Hulsbrink

The 900-seat state-of-the-art concert hall was completely packed, with extra seating brought in to the side isles. Recognition goes to Haley Tromblee (Millikin), Michael Eckwall (Southwest), Laurel Filzen Etzel (Northside), Amy Croft (GMS) and Stephen LaCroix (GHS) for directing this massive undertaking. And extra special recognition goes to Pam Edwards and Kim Schwarzkopf for their amazing talents, especially in regards to accompanying all songs. Truly, an hour of music from the Geneseo music program is an hour well spent!

Photo by Elizabeth Hulsbrink